These titles mark the tip of an iceberg, which is huge under the surface. Hundreds of well-known publishers publish thousands of new releases that compete for those list places, which February 2019 Calendar Pretty even with excellent press, solid marketing and really good books, most do not succeed: The number of titles that are at best respecting success, is many times greater than the bestseller .
February 2019 Calendar Pretty
The idea that one could still reach the Olympus of the chosen ones without widespread advertising and circumventing all those qualitative barriers that the publishers have set, borders on the absurd. The Volkssport self-publication does not “democratize” the book market – it only shortens the path that potentially potent manuscripts take past the formal rejection orgy to the rubbish dump. In addition, authors should primarily focus on producing good lyrics – not just selling them in the virtual belly shop. The mastery of both aspects is – right!
Another exception.MisunderstandingThe self-publishing phenomenon is based on the same misunderstanding that has left hundreds of thousands of untalented young people victims of the humiliation shows in the style of »DSDS«: namely, that want and ability are the same. That one succeeds faster by simply taking the supposedly shorter way, past all the others. You can definitely get something faster, but success is only in very rare cases, and then mostly only temporary.
If it were indeed so simple to become a well-known, professional artist, there would be millions in Germany. Getting a notable slice of this large but incredibly often divided cake is in reality much more difficult, more complex and full of preconditions. And you can only do that with a lot of patience and intensive work on yourself. Otherwise you will remain an amateur actor forever, a lottery player.
The exceptions only confirm this rule. Everything else is self-deception.Euphoria and realityThe reality Of course, I can understand the enthusiasm, because the arguments that I have presented in the section “no matter”, may apply the other way round: If the common reader is not interested in how the book market works he may also make no distinction between professional and self-published books as long as his expectations are met.
In other words, if he can buy really good texts per click (which does not mean “literary value” or something like that, but simply a flawless, reasonably flawless product in accordance with expectations), it may also have no bearing on the processes behind him the publication stood. In addition to the urgent question of whether this is so, he receives so useful products, which unfortunately has to be answered in most cases with a clear no.
Especially the more significant is why he should do that. Publishers invest a lot of money and time to get their titles into the conversation, be it by cleaning the booksellers or bustling marketing war chest, while the self-publishers have to look at the tightest February 2019 Calendar Pretty budgets and hope that the self-marketing via social networks u. Ä. Fruitful (of which the communities are now mostly disgusted). Self-publishing books are usually limited to digital formats and / or retrieval books of certain providers, ie not nationwide and not available in book retail, often not once on order.